The Incestuous Relationship Between Chief Keef, Pitchfork, And Guns

guns

Watching our President lay down the initial groundwork on major gun control legislation this morning was surely met with mixed emotions across the diverse board of these United States. There is no doubt that the highly publicized mass shootings that have catapulted this discussion onto Obama’s desk will dominate debates about the President’s unilateral legislative action. However, it would be outright ignorant and even somewhat racist to ignore the elephant in the room when it comes to guns in America; urban neighborhoods across this country are plagued by social issues that more often than not end in gun-related deaths. Nowhere is this phenomenon more exemplified than in the city of Chicago. Last year there were 506 homicides in the Windy City, most of which were the result of gun shot wounds. This year the city is on a two-a-day pace, about 200 more homicides than 2012. Needless to say, not everyone has been a victim to this deplorable statistic, some, including Chicago native and teen rap sensation Chief Keef, have successfully homogenized their music with gun violence. His videos and music are a virtual who’s who in the Chicago gang culture and his involvement came to a head when he taunted the death of a rival rapper on Twitter only days after the release of a video calling out Keef and his crew. His music video, I Don’t Like, was shot entirely in his grandmother’s house due to the fact that he was under house arrest for brandishing a gun in front of police officers while resisting arrest, it is riddled with gun references and boasts a hearty 23 million views.

Since the taunting tweet, Chief Keef has secured his major record deal and released his first album, Finally Rich via Interscope Records. No doubt Interscope recognized a pay day when they saw one and the desire to sign a rapper with a violent rap sheet is by no means breaking new ground in the industry. It’s still blood money though, and for that someone over there should sleep less. A new twist to the usual story was the involvement of a media source, in this case music power player Pitchfork Magazine, in the capitalization process. Pitchfork runs an interview series called ‘Selector’ whereby they interview an artist in somewhat candid settings. Pitchfork’s ‘Selector’ experience with Chief Keef took place at a Chicago gun range where a few guns were popped off by both Keef and Pitchfork staff in between some straight up horrendous questions. The interview was virtually unnoticed by most, though plenty of bloggers chimed in on the lack of moral fortitude the publication had selecting the controversial location. Since then, Pitchfork has pulled the video from their archives and issued an apology for their role in perpetuating the Keef experience in light of all these actual murders happening around him. Chief Keef was arrested yesterday in light of that Pitchfork interview, apparently the act of him holding a rifle in the video violated terms of his probation. Pitchfork has also been subpoenaed by the court to hand over the video footage in question.

Nobody gets a pass here. Chief Keef doesn’t get a pass on account of him being 17 years old and/or being caught up in the streets. Interscope doesn’t get a pass for simply being a label focused on music (everyone knows that it’s all about artist development, period), and worst of all, Pitchfork certainly doesn’t get a pass for capitalizing/publishing a highly insensitive video that will result in this most fortunate arrest. These are the players in the gun control debate America, the players you won’t see on CNN.com today, but that do very much drive the pathological problem that is gun violence in our urban centers. You want to do something for this country and our gun problem, start by passing on this kid’s projects and being wary of who your tastemakers are, Pitchfork is on many of your Twitter feeds, unfollow them, take a baby step. Because when media outlets begin dictating your musical preferences at the cost of lives on our streets, that’s that shit ‘I Don’t Like’.

DJ E-Day

I threw my back out, Obama is getting reelected, and traffic is madness in Los Angeles. Needless to say, I barely have the gusto to put this post up. However, press eficionados Audible Treats came out with a election friendly playlist polled from their esteemed clientele. Check out the playlist on Spotify here.

Read about the artists and the reasoning behind their selections after the jump. Oh, and vote for Jill Stein, duh.

Continue reading

the Monday drops

Sleep dropping out of weekend eyes and the news dropping doesn’t bode well for some of those who rely on the Internet for music and money – the Recording Industry Association of America won a victory over music downloading when the Supreme Court refused to hear an appeal from the Boston University student Joel Tenenbaum who has a $675,000 verdict against him for downloading and sharing 30 songs online. The case will not be dropped, and neither will the amount of the penalties, which seem to be too unusually cruel to be constitutional. Mr. Tenenbaum may have been counting on FB stocks to take a monstrous leap and help him pay those bills, but the social media brand has opened its second day on the stock market with reports of a 13% drop. FB founder Mark Zuckerberg also dropped his bachelorhood Saturday by marrying his longtime girlfriend Priscilla Chan. His bride is reported to like, “cooking and soft things,” a statement which makes me annoyed at the Associated Press. For existing.

Other things that dropped and sound unfortunate? Whitney’s last single. Call me what you will, but I will choose to remember one of my favorite vocalists of all time pre-Bobby only. A time before American Idol and all the fake extras that never did suit Ms. Houston in my opinion strung throughout a track I won’t Celebrate to. Ever.

Whitney Houston & Jordin Sparks – Celebrate


Drop me a line or drop a comment on this post if you feel the need.

Uprising: The LA Riots Story

 The film revisits the riots in gripping detail and draws from a diverse collection of voices — the rappers, rioters, victims, police officers, journalists and everyday citizens of South Central Los Angeles.

Recently I’ve expressed my discontent with the resurgence in “hip hop” documentaries, however, put a socially engaging twist with a little local history about race relations, and you’ve got my attention (enough for a trailer at least). I do have a predisposition to questioning the educational value of documentaries with clear cut agendas, this one being the usage of hip hop as a lens to examine the LA Riots, both its causes and effects. However, when I see that the number one voted comment on the YouTube page for this trailer is from a user called Weezyinfected and says the following:

I think to myself, perhaps this is the only type of vehicle worthy of successful transmission. We are dealing with a mass of people that are highly infected, by Weezy and all other things nefarious. Oh, and a quick note, that “white guy”, his name was Reginald Denny. Nobody remembers the name of the countless Koreans with shotguns on top of storefront roofs.

ZIF Video Of The Week: Joell Ortiz – Project Boy (Prod. by DJ Premier)

Joell Ortiz is the quintessential example of under-appreciated. No where in the rap game is there an emcee who can seamlessly transform into such a diverse array of persona’s and characters. Joell continues to prove to ZIF that he is not just a throwback emcee from “NY”, but a lyrical spitter from the hood. We got you Joell, appreciation served.