Angelino’s are stupidly spoiled with options when it comes to live music. There’s hardly a night that goes by in this town where you can’t satiate your appetite for a good live show. Low End Theory surely sits at the very zenith of the town’s hierarchy, the weekly show consistently packs The Airliner. Flying Lotus still regularly attends and this week he brought a few high profile special guests. Not a Mac Miller fan, but Earl Sweatshirt is on a serious come up.
I attended an URB Magazine listening party for the Cool Kids back in ’08 I believe, back when URB actually had an office, and a publication for that matter. I recall the overwhelming response the crowd had when “Black Mags” was performed live by the young duo. I thought to myself, “this is great, but do these guys have staying power?” Well, they went on to forge one of the more meteoric rises in recent hip hop memory. The kids were quickly dripping in major tour money and thrust into the MTVU harbor as a flagship group. But much like Outkast, solo projects often reveal areas of concern previously overshadowed by the necessary concessions made during the creative process as a group. Let me first say, that Chuck Inglish is clearly a wunderkind when it comes to production, his list of clients has reached astronomically respectable proportions. However, Mikey Rocks, now Sir Michael Rocks, has left with me some pangs when presented with his new solo material. First of all, I’m not a Mac Miller fan, and Mikey’s decision to open up for him on his tour along with the recent joint they dropped is just bad looks all around. Secondly, I feel like Sir Mike is sounding more and more like a fusion of just too many artists out there. Think Curren$y meets Casey Veggies meets Wiz. There was a time when I could tell you exactly what Mikey Rocks sounded like and what made him unique, of course he was embedded within a duo at that time and I was reading a magazine that doesn’t exist anymore. Judge this track as you will, it’s the first leak from “Lap Of Lux 1.5, which will be available via Datpiff.com on Thursday, December 6th, here.
I actually don’t hate this track, I do however believe it stands out not. I think that the production on this EP is strong, Harry Fraud and Chuck should carry this into a successful drop. I just hope Mikey has something to say about it as well.
Beedie’s tour just got announced, a couple of those shows will include some other ZIF approved artists, including Too Deep. In case you missed our exclusive interview with Beedie, peep it here. Here’s hoping we can get the Pittsburgh saliva spitter a show in L.A. soon, working on it 😉
I admire our ability to filter exceptional content for my readers, in essence, that’s why blogs have made it through the trend-heavy rise and fall of internet phenomenons. Nowhere is that more satisfying than sharing great music from an artist on the come-up. That brings me to this interview with Pittsburgh rapper, Beedie. There’s no doubt that Pittsburgh is finally on the rap map after the meteoric rise of Wiz Khalifa and the subsequent success of fellow Rostrum Records artist Mac Miller. When I was introduced to Beedie’s music I had no idea on where he came from, it didn’t matter. His sound can best be described as a contemporary take on Boom Bap combined with the steady swagged out flow you would expect from a young wordsmith intent on making power moves. He’s a throwback rapper in many ways and yet I thank the rap gods that guys like this still spit. As 1/2 of the rap duo Varsity Squad and formerly 1/2 of Ill Spoken along with Mac Miller, there’s little denying, Beedie stands out. When artists I respect have something to say, it’s always an honor to chop it up with them. Be sure to check out the interview with him in it’s entirety or broken down into three parts after the jump.